“Violent,” “rampant crime and killings,” “full of carnage.”

The all-too-familiar national media narratives about Chicago regularly portray the city as dangerous, a hotbed of violence and persistent racial conflict–especially when describing Chicago’s South and West Sides. Solutions offered generally involve sending someone or something in to "fix" the problems. This overlooks how many people within these neighborhoods–artists, journalists, organizers, scholars, neighbors–are already working—often with great success–to change what’s happening within their communities for the better. Come to our South Shore Night on November 7 and you’ll see them at work.

Tonika Johnson and Paola Aguirre give us their backstory in advance of their Fall Festival program.

Take, for example, artist Tonika Johnson, who was frustrated by the images and stories of her Englewood neighborhood, and uses photography to bring attention to racial segregation and inequality in the city. But equally also central to her work is the real human interaction required to gain insight and empathy, embodied in her Folded Map Project. Audiences who attend South Shore Night night will get to experience this firsthand in an interactive workshop with Johnson and urban designer Paola Aguirre, founder of Borderless Studio.

"Democracy starts on a block level."

Or consider Jahmal Cole, a writer, activist, and mentor to teens, who co-founded My Block, My Hood, My City to provide underserved youth with educational opportunities and new experiences, exposing them to possibilities beyond their own communities. A tireless advocate for education reform and “the importance of viewing democracy from the block level outwards, as opposed to big city inward,” Cole started a Block Club program with young Chicagoans to design new block club signs that align with the current values and ambitions of their communities (seen in the banner above).

In partnership with a number of local community-based organizations, the Chicago Humanities Festival presents a range of programming this fall that questions and contests the larger received narratives about Chicago neighborhoods.

Taken as a whole, this Chicago neighborhood programming makes a claim about the power in communities to combat the larger narratives about them from within.

Moreover, these programs also take up important questions about neighborhoods and cities, like who is represented, who is left out, and who gets to speak for whom?

We reflect on these questions regularly at the Chicago Humanities Festival, and compiled some resources to help you connect more deeply to the powerful presenters, change-making organizations, and compelling issues around the portrayal–and engagement–of Chicago neighborhoods.

Through programming in Bronzeville, Hyde Park Day, and the South Shore Cultural Center Night, you can: