More than a few contemporary artists—and indeed entire schools of artistic thought—have found inspiration in the style, subjects, and sheer sensuality of the woodblock prints and paintings of Japan’s 17th-19th-century Edo period. Collectively known as ukiyo-e, or “pictures of the floating world,” these works possess their own distinct style, and depict a sometimes-suggestive world of leisure, pleasure, and beauty. Asian Languages and Cultures scholar Adam L. Kern joins us to explore the nature and roots of the art form itself, as well as the influence of these resonant works on manga artists of today.

This program is presented in partnership with the Art Institute of Chicago on the occasion of the exhibition Painting The Floating World: Ukiyo-e Masterpieces from the Weston Collection.

The Richard Gray Visual Art Series recognizes a significant gift from founding CHF board member Richard Gray.